Interviews

David Lamelas. Photo: Celeste Leeuwenburg
Carolee Schneemann holding a Venetian lion mask, photographed in London in May 2017, Photo: Benjamin McMahon
Adoration (after Jan Gossaert) (detail; 2015–16), Raqib Shaw. Photo: White Cube, Ben Westoby; © Raqib Shaw
Frank Bowling, photographed in his studio in London in April 2017.
Ant Farm at Yang Zhen (Beijing), China (2003–10), Wim Delvoye. Courtesy Studio Wim Delvoye, Belgium
Mexico City 3 (Zócalo, MUCA/UNAM, 2007), Spencer Tunick
Berengo Studio glassmasters working on a Tony Cragg sculpture, ‘Glasstress 2009’. Courtesy Fondazione Berengo
Helen and Her Hula-hoop, Lynemouth, Northumberland (1984; negative); (1985; print), Chris Killip. J. Paul Getty Museum, Los Angeles. Courtesy the artist.
Photo: Andreas Laszlo Konrath; courtesy David Zwirner, New York/London
Jim Dine photographed in his studio in Walla Walla, Washington, USA, in July 2014. Photo: Jason Teffry
Tim Etchells and Vlatka Horvat in What Can Be Seen at the Millennium Gallery. Image © Museums Sheffield
'TEFAF Curated - La Grande Horizontale' at TEFAF Maastricht 2017. Photo: Harry Heuts
Wolfgang Tillmans, photographed at Tate Modern in February 2017
Strand (Thus the light rains, thus pours) (2016), Christopher Le Brun. Courtesy the artist and Albertz Benda, New York
Theaster Gates in the Stony Island Arts Bank, Chicago, which houses the Johnson Publishing Company archive. Photo: Mark Peckmezian
Installation view of Moré moré at White Rainbow, February 2017. Photo: Damian Griffiths; courtesy the artist and White Rainbow, London
Jannis Kounellis photographed at the Monnaie de Paris, March 2016.
Fünf Lichtscheiben, Kosmische Vision (1961–81), Günther Uecker. Courtesy Archiv Uecker
Materials and documents from the artist’s studio on display in Study #15. Untitled (The Ninth Resort), Charles Avery at DRAF, 2017. Courtesy the artist and DRAF. Photo: Tim Bowditch
Statue of Maya and Merit, c. 1320 BC, Egyptian, Saqqara. Dutch National Museum of Antiquities
Installation view, showing Volute IV and Volute V by Paul de Monchaux, at Megan Piper, London, 2016