The gallery's new director on the Switch House extension, promoting women artists, and finally having the final say over the collection
The Holburne Museum is a place of serious pleasure, says director Jennifer Scott, and that's how it stays true to its roots
We spoke to the outgoing Rijksmuseum director about the internet, Old Masters, and art by the seaside as he prepares for a new role at the Museum Voorlinden
The artist talks to Apollo about her obsession with found objects and making art out of gin
The Italian artist discusses his distinctive palette and what he owes to Yves Klein
The Mexican artist on the importance of artistic process and the arts charity he has set up in Mexico
Huang Yong Ping on blurring the lines between Chinese and Western traditions
Valeria Napoleone discusses her unusual collection, and the importance of her relationships with artists
The curator of 'Show your Wound' discusses his thorny choice of subject and changing ideas
The Belgian painter reveres the Old Masters but is 'ashamed' by the state of figurative painting today
Sheena Wagstaff on the Met's ambitious plans for the Breuer building
Christo and his wife and collaborator Jeanne-Claude wanted to walk on water nearly 40 years ago. The Floating Piers project this summer will achieve their dream.
‘What’s happened to the witch, the German puppet witch?’ Susan Hiller enquires of the waitress...
'I’ve always been interested in artists who stretch the formal limits of technology'
Remembering the great pioneer of American abstraction, who has died at the age of 92
Hal Foster talks to Fatema Ahmed about art after the end of the Cold War, the cultural dominance of zombies, and why he eavesdrops in museums
Lesley Miller, the lead curator of the museum's new ‘Europe 1600–1815 Galleries’ explains the hard decisions involved in making displays
'My painting is a game, with the canvas as my opponent'
The Swiss artist Ugo Rondinone talks to Imelda Barnard about creating an exhibition dedicated to John Giorno, the American avant-garde poet
'There is an element in my work that is a bit like bringing up small children'
'It's one of the most charged locations I’ve ever been to'.
The artist is to curate a show about the colour at the Royal Academy
‘I was looking at Cézanne along Matisse’s lines’
‘When I paint I don’t want to think any more.’
