Reviews

Monteleone focuses on an apparently shiny, happy new reality…Yet the Italian photographer is playing a sophisticated game

From Brueghel and Rembrandt to Rego and Steve McQueen

Playful and daring, Rego’s pastels and watercolours are a surprise

We’re fond of the Brueghels because they are rooted in their own time; so it’s odd that this ‘conversation’ works

Self-scrutiny, experimentation, intimacy and contemplation characterise the master’s final years

The modernist designs at the V&A have an air of optimism about them, but we all know how the story ends

Matisse goes to New York, the British Library goes Gothic, and Sotheby’s goes to Chatsworth

It is not just collectors who enjoy the encounter with sculpture in the landscape. The public seems just as keen

Nevinson is best known for his war art, but took his work in surprising directions after 1918

A new exhibition illuminates the stories behind some of London’s most radical public sculptures

‘Terror and Wonder: The Gothic Imagination’, from Bram Stoker and to Wallace and Gromit

Matisse’s cut-outs have arrived in New York; and it’s a piece from MoMA’s own collection that steals the show

Our round-up of recent reviews: Anthony Caro, Thomas Hart Benton, Rossetti’s Obsession and a generous Georgian

The artist is the latest US Regionalist to be lauded in a major museum

The Foundling Museum introduces Dr Richard Mead

‘The Last Sculptures’ is a timely celebration of Caro’s late work, almost a year after his death

Jane Morris posed as numerous legendary characters for Rossetti: what of her own?

A quick tour of Peckham’s hidden galleries…

Recent exhibition reviews, including Constable, Edwin Smith and a modern take on the minotaur myth

Abandoned and neglected sites feature as prominently as those in construction in the Barbican’s photography exhibition

The reopening of Flat 130 makes Brutalism briefly accessible

There was more to the Ming period than blue and white porcelain