Reviews

The Bacino di S. Marco on Ascension (c.1733-4), Canaletto. Royal Collection Trust/(c)Her Majesty Queen Elizabeth II 2016

How Canaletto constructed a better view of Venice

The artist would move churches around, erase rooftops, and even bend the Grand Canal straight if it allowed for a more harmonious scene

8 Jun 2017
Botanical models from 'Object Lessons' at Manchester Museum

Paper plants and wax peaches at the Manchester Museum

The scientific teaching models in George Loudon’s collection are as beautiful as they are fascinating

7 Jun 2017
The new Cabinet d’Arts Graphiques of the Musée Condé at Chantilly

A dazzling new attraction at the Musée Condé at Chantilly

Visitors can finally enjoy the exceptional drawing collection, and explore previously-unseen rooms, in the elegant new Cabinet d’Arts Graphiques

5 Jun 2017
'The Barberini Tapestries: Woven Monuments of Baroque Rome' is at the Cathedral of St John the Divine, New York

The historic Roman tapestries that travelled to New York

The remarkable Barberini tapestries at the Cathedral of St John the Divine are packed with surprising and beautiful details

5 Jun 2017
Nasema Nawe (2016), Michael Armitage. © Michael Armitage. Photo © White Cube (Ben Westoby)

The disturbing dreams of Michael Armitage

Armitage’s paintings combine African politics and western art history – and will make you see both in a different light

2 Jun 2017
House NA, Tokyo, Japan (2011), Sou Fujimoto Architects. Photo: Iwan Baan

The many modern versions of the Japanese house

Domestic architecture in Japan is reinvented for every generation – as this fascinating exhibition shows

1 Jun 2017

The golden age of propaganda

Calendars have often conveyed political messages, particularly in the reign of Louis XIV and during the French Revolution

1 Jun 2017

A shining example of silver scholarship

One of the most important collections of 18th-century silver in Europe gets the attention it deserves in a new book

30 May 2017
Solitude (2017), Terry Adkins. Installation view, Thomas Dane Gallery, London. Photo: Luke A. Walker

Terry Adkins and the art of sound

The artist’s haunting sound sculptures and paintings address the absent figures who inspired them

23 May 2017
Figure representing the river Rhône (detail). Wallace Collection, London

The Avignon Clock is as good as any sculpture

This spectacular French clock, designed by the best craftsman of the day, is the star of a show at the Wallace Collection

22 May 2017
Scalata al di la dei terreni cromatici / Escalade Beyond Chromatic Lands (2016–17), Sheila Hicks. Photo: Italo Rondinella, courtesy La Biennale di Venezia

How did ‘Viva Arte Viva’ go so wrong?

Wasn’t this year’s Venice Biennale exhibition supposed to do away with grand curatorial conceits?

19 May 2017
Gaea (1966), Lee Krasner. © 2017 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

A flawed introduction to the women of post-war abstraction

MoMA’s attempt to ‘make space’ for women artists has backfired, but does at least highlight some unexpected affinities between artists

18 May 2017

Cedric Price’s mission to make architecture amusing

Cedric Price believed that architecture should be mobile, lightweight, and temporary. Above all, he thought it should be fun

17 May 2017
Illustrated pages from the Voynich Manuscript, c. 15th century. Beinecke Rare Book and Manuscript Library, Yale University

The Voynich Manuscript is a book you’re not meant to read

Despite Yale’s new facsimile edition, this 15th-century manuscript happily remains as indecipherable as ever

17 May 2017
Biinjiya'iing Onji (2017), Rebecca Belmore. © Fanis Vlastaras

The successes and failures of Documenta in Athens

The decision to stage part of the 14th Documenta in Athens has been widely debated. Now that it’s open, what are the highlights of the programme?

16 May 2017
Mark Tobey in his studio (1949). Courtesy Arthur Lyon Dahl. Photo by Larry Novak

The forgotten father of Abstract Expressionism

His ‘white writing’ style helped shape the course of modern painting, so why isn’t Mark Tobey better known?

12 May 2017
Five Forms (1935), Paule Vézelay. © The estate of Paule Vézelay

The ‘living lines’ of Paule Vézelay

She was well known in the surrealist circles of the 20th century, but Vézelay’s work has been all but forgotten since

10 May 2017
Crépuscule (detail; 1892), Pierre Bonnard. © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski / distributed by AMF

How the Japanese transformed French painting

An exhibition of Les Nabis at the Mitsubishi Ichigokan Museum in Tokyo explores their interest in the art of the Far East

5 May 2017
'Michelangelo & Sebastiano', installation view, National Gallery, London

Michelangelo and Sebastiano’s fraught but fertile friendship

An ambitious exhibition at the National Gallery traces the productive overlaps between these two Renaissance masters

4 May 2017
Wittgenstein in New York, (detail; from the As is When portfolio) (1965), Scottish National Gallery of Modern Art, ,

More can be less when it comes to Eduardo Paolozzi

Paolozzi’s 1950s work is astonishing, but a full retrospective draws too much attention to his duller later work

4 May 2017
Minotaure dans une barque sauvant une femme (1937), Pablo Picasso. Private collection. Photo: Eric Baudouin; Courtesy Gagosian; © 2017 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

What the Minotaur can tell us about Picasso

An exhibition documenting Picasso’s obsession with minotaurs and matadors is a curatorial triumph

2 May 2017
Boy falling from a window, (1592), Italy, possibly Naples. Museo degli ex voto del santuario di Madonna dell’Arco, Naples

Religion in the Renaissance was as personal as it was public

An exhibition at the Fitzwilliam Museum reveals how the home in Renaissance Italy was the site of much private devotion

29 Apr 2017
Socle du Monde (1961), Piero Manzoni. Photo: Ole Bagger. Courtesy of HEART

Monuments to mundanity at the Socle du Monde Biennale

This event is a must-see if you want your understanding of Piero Manzoni and the other featured artists turned on its head

28 Apr 2017
Frogmore House, The Queen's Library, Charles Wild, Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The patronage of remarkable princesses

Some royal tastemakers have better taste than others – as the remarkable legacy of three Hanoverian princesses shows

25 Apr 2017