Reviews

May 16th, 1941 (1941), Grace Pailthorpe. © Artist's estate. Courtesy of Redfern Gallery, London

The other side of Surrealism

As male Surrealists depicted women as muses, sphinxes, and goddesses, women Surrealists sought to turn this imagery on its head

21 Aug 2017
Installation view of 'Per Kirkeby: Paintings and Bronzes from the 1980s' at Michael Werner Gallery, London, photo: courtesy Michael Werner Gallery, London and New York

Per Kirkeby’s triumph of form over substance

The Danish artist clearly takes great delight in the physical properties of paint (and bronze, too)

18 Aug 2017
Hugo Erfurth with Dog (1926), Otto Dix. © DACS 2017. Museo Thyssen-Bornemisza, Madrid

Staring at the zeitgeist

August Sander’s photographs and Otto Dix’s paintings take an unflinching look at Weimar Germany

17 Aug 2017
'Into the Unknown: A Journey through Science Fiction' (installation view; 2017), at the Barbican Centre. Photo: Tristan Fewings/Getty Images

A sci-fi spectacular at the Barbican

This is an exhibition targeted at the senses more than the brain, more Star Wars than Stalker

11 Aug 2017
Scenes from the Lives of the Virgin and other Saints, (c. 1300-05), Giovanni da Rimini.

The rich artistic world of Giovanni da Rimini

Very few panel paintings by the Italian Trecento artist survive. Currently, all of them are at the National Gallery in London

10 Aug 2017
Installation view, 'Arthur Jafa: A Series of Utterly Improbable, Yet Extraordinary Renditions', Serpentine Sackler Gallery, London.

Ways of seeing with Arthur Jafa

The acclaimed filmmaker insists we notice skin colour, and acknowledge the politics of its presence and presentations

9 Aug 2017

Royal portraits and realpolitik at the Society of Antiquaries

Don’t miss this rare chance to see a collection of medieval and Tudor portraits, relics, documents, and physical fragments

8 Aug 2017
Speak to the Earth and It Will Tell You, (2000–17), Jeremy Dellar, Photo: Henning Rogge; © Skulptur Projekte Münster

Münster turns its public spaces over to sculpture

This year’s Skulptur Projekte Münster shows that digital technology has transformed the public realm – but some artists are resisting

7 Aug 2017
autoportrait (2017), Luke Willis Thompson. Installation view at Chisenhale Gallery 2017. Commissioned by Chisenhale Gallery and produced in partnership with Create. Courtesy of the artist. Photo: Andy Keate

Silence speaks volumes at Chisenhale Gallery

Luke Willis Thompson’s work with Diamond Reynolds is a powerful response to the shooting of Philando Castile

3 Aug 2017
Self-portrait (detail; 1914), Margaret Clarke. © Artist’s Estate. Photo © National Gallery of Ireland. Photographer: Roy Hewson

A hidden highlight at the National Gallery of Ireland

A small exhibition of Margaret Clarke’s work proves that the best shows aren’t always the blockbusters

2 Aug 2017
'Ties|Legami. Pietro Consagra and Ugo Mulas' at The Italian Cultural Institute

Sculpture in two dimensions

Pietro Consagra made sculptures with the camera in mind, and worked closely with photographer Ugo Mulas

1 Aug 2017

The visual side of Renaissance thought

Susanna Berger’s enquiry into philosophy and visual culture is full of original insight

31 Jul 2017

How Native Americans are reclaiming their history

This book is inevitably partial, but offers the best single account to date of repatriation claims in the US

29 Jul 2017
Adrián Villar Rojas, 'The Theater of Disappearance', National Observatory of Athens, Hill of the Nymphs.

Adrián Villar Rojas digs deep in Athens

The Argentinian artist has planted artefacts, sculptures and a fantastical garden in Athens

28 Jul 2017
A Turkish Woman by a Stream, (c. 1907), John Singer Sargent. Victoria and Albert Museum

Sargent’s great escape from society portraits

Freed from the limitations of his studio, Sargent’s sketches speak of the carefree existence of a gentleman of leisure

27 Jul 2017
Paimio armchair (1930), Alvar Aalto. Alvar Aalton Museum; photo: © Victoria and Albert Museum

Plywood: the V&A has nailed it

This thrilling exhibition reveals the glamour of an everyday material

26 Jul 2017
Two Women Sitting in a Garden (showing Charlotte Epton and Tirzah Garwood in the Brick House garden) (1932), Eric Ravilious. Fry Art Gallery, Saffron Walden

An outbreak of talent in Great Bardfield

Ravilious, Garwood, Bawden, Binyon… Why were so many artists drawn to a village in Essex?

24 Jul 2017
Portrait of a Young Man, (1565–70), Alessandro Allori,

Italian painting takes a bow in northern France

Picardy’s magnificent collections of Italian paintings shine in a series of exhibitions

22 Jul 2017
Emma Hart, 'Mamma Mia', installation view, Whitechapel Gallery

Out of the kitchen and into the gallery

Emma Hart’s installation at the Whitechapel proclaims a feminine aesthetic that reaches far beyond the domestic

21 Jul 2017
33 (2017), Mario Santizo at the Ljubljana Biennial of Graphic Arts. Photo courtesy the author

Collaboration and conversation in Ljubljana

A shared belief in the democratic possibilities of print makes for an optimistic biennial

20 Jul 2017
Temporary Enclosure of Carioca Building Construction Site (1971), Jirō Takamatsu.

The political backdrop to Jirō Takamatsu’s art

The Japanese artist deserves to be better known in Britain, but his playful, political work suffers out of context

19 Jul 2017
Spray (1939), Harold Williamson. © Russell-Cotes Art Gallery & Museum

Scared of the modern?

The British realists of the 1920s and ’30s scrupulously recorded the modern era – but in doing so, they were also avoiding it

17 Jul 2017
Giacometti working on Four Figurines on a Stand at the Tate Gallery, 1965, © ARS, NY and DACS, London 2017

The unsolved mysteries of Alberto Giacometti

Giacometti’s art seems as enigmatic as ever in this survey of the sculptor’s work at Tate Modern

14 Jul 2017
The Finding of Moses, (1904), Lawrence Alma-Tadema, private collection, wikimedia commons

Alma-Tadema deserves to be loved again

The artist has fallen so far out of critical fashion that his merits are often completely overlooked

13 Jul 2017