Interviews
‘The way I start a piece is that the materials turn me on’ – an interview with Betye Saar
The artist discusses her stereotype-busting sculptures, and explains why major shows in Los Angeles and New York are ‘just another gig’
Stockhausen, Duchamp, and exit signs – an interview with Cerith Wyn Evans
The artist talks about the wide-ranging references in his neon installations and other works – from modernist music to yoga
‘I can’t not think of Brexit, in relation to declarations of independence’ – an interview with Kudzanai Chiurai
The Zimbabwean artist discusses his film ‘We Live in Silence’, screened at the opening of Goodman Gallery’s new London premises
‘If you can outlive most men, all of a sudden you can be venerated’ – an interview with Kiki Smith
The versatile artist talks about her love of printmaking – and being in it for the long haul
‘My art is about overcoming our limitations’ – an interview with Agnes Denes
The artist talks about what it meant to plant a wheatfield in Manhattan – and why she wants her work to outlive her
‘Making already complex things more complex’ – an interview with Imran Perretta
The artist discusses his latest film, whose title – the destructors – is borrowed from a short story by Graham Greene
‘I liked the idea of bringing sharp objects into a library’ – an interview with Sean Lynch
The artist discusses the allure of the 19th-century forger Flint Jack – who fooled museums and collectors with his brand-new prehistoric artefacts
‘The spectator should disappear into the works’ – an interview with Peter Suschitzky
The cinematographer discusses his lighting design for the Dulwich Picture Gallery’s upcoming Rembrandt exhibition
For the record – collecting gallery papers at the Archives of American Art
From inventories to installation shots – Liza Kirwin discusses the crucial role of gallery records in documenting art history
‘The boxer is the closest I can get to a superhero’ – an interview with Godfried Donkor
The British-Ghanaian artist discusses his fascination with historical images of boxers – and how he works them into contemporary paintings and collages
‘Wood suits me, I’m a Saxon!’ – an interview with David Nash
The British sculptor has spent decades producing work from his sylvan surroundings. He discusses how it all began
‘When you put black people in a picture, what should they be doing?’ – an interview with Kerry James Marshall
The painter talks about setting himself technical challenges and taking on the Western art tradition
‘Over the years you get closer to those things you call impossible’ – an interview with Tal R
The Danish artist talks about his new exhibition at Hastings Contemporary, and the obsessions behind his paintings
‘I’m trying to erase myself’ – an interview with Cindy Sherman
The artist has been taking photographs of herself for more than 40 years – but we mustn’t think of the results as self-portraits
Howardena Pindell on politics, painting and punching holes
The American artist discusses the pleasures of her craft – and culture in the age of Trump
‘I have always set off in new directions’ – an interview with Leiko Ikemura
The Japanese-Swiss artist talks about her work across drawing, painting and ceramics – currently on view in Basel
‘I think of my sculptures as toys’ – an interview with Enrico David
The London-based artist discusses the darker side of play – and offers insight into his enigmatic sculptures
Stepping back in time at Palazzo Grimani in Venice
Returning the Grimani sculpture collection to its dramatic 16th-century setting feels like a dream, says Toto Bergamo Rossi
‘I want people to attend to the content’ – an interview with Jenny Holzer
The artist talks about working with words, the ‘woman thing’, and why she likes to feel useful
‘People have to be reminded that the Bauhaus started here’ – inside the new Bauhaus Museum in Weimar
The city is taking pains to address all aspects – both good and bad – of the legendary design school’s history
A Maastricht mystery – the Master of Elsloo at the Bonnefantenmuseum
Lars Hendrikman talks about curating an exhibition of sculptures attributed to the unknown woodcarver
The Year of Rembrandt at the Rijksmuseum
The museum’s director, Taco Dibbits, is making the most of the most comprehensive collection of Rembrandts in the world
Elizabeth Price cuts through the muddle of the digital world
The Turner Prize-winning artist explains why she finds digital flotsam and jetsam so fascinating
‘You have to choose hope’ – an interview with Judy Chicago
The trailblazing artist talks about feminism, optimism, and the importance of doing your own thing
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