Features
Robert Ryman in his studio in New York in 1999.

‘Robert Ryman gave us a lot to look at’

The painter’s commitment to white taught us new things about colour and about painting itself

5 Mar 2019
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Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London

The Masterpiece podcast: episode three

This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites

Art news daily

Slovak National Gallery’s department heads resign – with 177 staff threatening to follow

Magritte painting sells for $121m – highest sum ever for a Surrealist work

Frank Auerbach has died at the age of 93

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Martha Stewart’s recipe for success

What painters and anatomists have in common

Seeing London through Frank Auerbach’s eyes