Morgan Falconer is the programme director of the MA in contemporary art at Sotheby’s Institute of Art in New York.
Robert Rauschenberg’s former New York studio is on the market – a cause for dismay in some quarters. But is selling up always selling out?
The artist’s early paintings were a necessary preparation for his pioneering less-is-more installations
The Art Students League of New York has trained many a great painter and is still going strong on its 150th anniversary
Housed in Louis Kahn’s last building, the newly spruced-up Yale Center for British Art reframes Paul Mellon’s collection
Whether Orphism can be called a coherent movement is one thing, but its practitioners produced some excellent art
The painter who began as a master of modernist abstraction kept reinventing himself right until the end
The Buffalo AKG Art Museum, formerly the Albright-Knox, reopens with a strong sense of civic purpose and a firm commitment to modern art
The painter who defined the experience of modern New York never felt quite at home in the high-rise city
An exhibition examining ‘doubles’ in modern art at National Gallery of Art, Washington D.C. ends up a little out of focus
The Met’s new survey reveals a more dramatic, more political side to the American painter
