Morgan Falconer is the programme director of the MA in contemporary art at Sotheby’s Institute of Art in New York.
The painter who began as a master of modernist abstraction kept reinventing himself right until the end
The Buffalo AKG Art Museum, formerly the Albright-Knox, reopens with a strong sense of civic purpose and a firm commitment to modern art
The painter who defined the experience of modern New York never felt quite at home in the high-rise city
An exhibition examining ‘doubles’ in modern art at National Gallery of Art, Washington D.C. ends up a little out of focus
The Met’s new survey reveals a more dramatic, more political side to the American painter
The movement begun by André Breton in Paris found followers all over the world, but displaying their efforts all together makes for a muddled show
Dia Art Foundation’s support for ambitious experimental artists is as resolute as ever, its director Jessica Morgan tells Apollo
A display of interwar posters is a reminder of that utopian moment when artists believed they could invent a new world
A recent display at MoMA revealed the unexplored depths of an artist whose work sometimes seems all surface
Man (as represented by white men) is no longer the measure of all things at the headquarters of modern art
December 2024
Emma Crichton-Miller
Apollo
Christina Makris
Christina Riggs
Rakewell
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://new-dev.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
What Frank Stella saw – and what he made us see
The painter who began as a master of modernist abstraction kept reinventing himself right until the end