Maggie Gray is a writer, editor and art historian based in London.

Morning Glory (detail), from Some Japanese Flowers (c. 1894), Kazumasa Ogawa.
Installation view of Here (2013) by Thomson & Craighead on Greenwich Peninsula.
Tricolour Wings (1932; detail), Tullio Crali
Lagoon (2015–17), Nick Goss.
January, Yellow and Black (1957), Paul Feiler.
Loe Bar (1962), Peter Lanyon.
Installation view of 'A World of Fragile Parts', Venice Architecture Biennale 2016
Take Five (2006), Tom Lamb
Tate St Ives by Jamie Fobert Architects. Photo © Hufton+Crow
Encyclopedic Geodes (2017), Damián Ortega. © Damián Ortega. Photo © White Cube (Ben Westoby)
Installation view of 'Per Kirkeby: Paintings and Bronzes from the 1980s' at Michael Werner Gallery, London, photo: courtesy Michael Werner Gallery, London and New York
33 (2017), Mario Santizo at the Ljubljana Biennial of Graphic Arts. Photo courtesy the author
Nymph Removing a Thorn from a Greyhound’s Foot (1848), Richard James Wyatt. Temple Newsam, Leeds. Photo: Art UK / Leeds Museums and Galleries
'TEFAF Curated - La Grande Horizontale' at TEFAF Maastricht 2017. Photo: Harry Heuts
Installation view, showing Volute IV and Volute V by Paul de Monchaux, at Megan Piper, London, 2016
British Sopwith Camels Leaving Their Aerodrome on Patrol over the Asiago Plateau, (1918), Sydney Carline.
Rauschenberg photographed in Captiva, Florida, 1978. Photo: Attributed to Billy Klüver; courtesy Robert Rauschenberg Foundation
(2016), Neo Rauch. Courtesy David Zwirner, New York/London
Simon Starling. Photo: Mikel Patrick Avery
Ttéia 1C (detail; 2001/2016), Lygia Pape. © Projeto Lygia Pape; courtesy Projeto Lygia Pape and Hauser & Wirth. Photo: Paula Pape