Apollo Magazine

Michelangelo Pistoletto’s Arte Povera masterpiece is a case of rags and endless riches

There are no fairy-tale endings in the powerful narrative paintings and sculptures on show at the Kunstmuseum Basel

Venus of the Rags (1967), Michelangelo Pistoletto. Castello di Rivoli, Turin. Photo: Paolo Pellion; courtesy the artist and Luring Augustine, New York; © the artist

Fairy tales don’t always have a happy ending, and certainly not in the mordant works of Paula Rego, who often turned to well-known stories to comment on abuses of power by political figures and the oppression of women. This exhibition at the Kunstmuseum Basel is the first to be dedicated to the artist in Switzerland and features a wide selection of the narrative-style paintings and uncanny sculptures she created over her 60-year career (28 September–2 February 2025). This includes one of Rego’s most haunting works, War (2003), in which human-animal hybrid figures flee from an unseen threat, bloodied and terrified, in a scene mirroring a news photograph taking during the Iraq War.

Find out more from the Kunstmuseum Basel’s website.

Preview below | View Apollo’s Art Diary

War (2003), Paula Rego. Tate, London

The Family (2004), Paula Rego. Private collection

Untitled n.6 from the Abortion series (1998–99), Paula Rego. Private collection

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