Is the grand museum entrance now on its way out?
In the pursuit of greater accessibility, institutions are making themselves oddly unapproachable
 
					In the pursuit of greater accessibility, institutions are making themselves oddly unapproachable
 
					These vivid, tin-glazed ceramics were considered fit for the pope to eat off – and can fetch princely prices today
 
					Highlights at this year’s edition include the marble head of a young Roman man and a bejewelled reliquary that was once owned by Charles II’s queen
 
					A new drive to ensure that ancient objects were obtained legally is transforming the market
 
					The Parisian art fair returns to its spring slot, plus our pick of gallery shows coming up
 
					Hettie Judah revisits the past as it is presented by artists delving into the archives and reusing old footage
 
					The growing tendency to fold 20th-century makers into the history of modern art often ignores what was truly innovative about their work
 
					While the artist’s life can pose difficulties, the Musée Picasso in Paris is finding ways to open up his work for a new generation
 
					Long after David Sassoon’s descendants had entered the highest echelons of English society, their collecting reflected the family’s ties to the Middle East, India and China
 
					The Palais de Danse in St Ives allowed the sculptor’s work to grow in ambition
 
					Built as a residence for Prince Eugene of Savoy, the Vienna museum with a tangled history is now a home for Old Masters and modern art
 
					Stephan Kemperdick of Berlin’s Gemäldegalerie talks Apollo through Hugo van der Goes’s stylish depiction of the saint
 
					A portrait of pooch at the Ashmolean can more than hold its own among more rarefied breeds
 
					The Low Countries may not grow oranges and lemons, but the artists of the region certainly had a zest for them
 
					One of South Africa’s oldest wine estates has developed strong ties with the country’s leading artists
 
					It has become increasingly common for museums to invite artists to respond to their collections, but what kind of connections are we being invited to make?
 
					The artist who builds and photographs meticulous maquettes explains how the pleasure of tricking people plays second fiddle to his interest in reality
 
					Pub landlord Frank Dowling has built a collection of museum-quality masterpieces and curios that testify to his love of London’s maritime history
 
					A book by Daniel H. Weiss, outgoing president and CEO of the Met, offers a public-spirited view of how a changing world can benefit from the constancy of large institutions
 
					Aside from the usual refreshments, the city’s taverns offered a highly engineered form of popular entertainment
 
					The artists of Ukrainian modernism have often been miscategorised as Russian, but an exhibition of avant-garde art seeks to redress the balance
 
					Archer Milton Huntington’s collection forms the backbone of the Hispanic Society in New York, but is his vision a hopelessly romantic view from the past?
 
					Theodoor Rombouts was a great assimilator of styles, but he was more than just another of the Caravaggisti
 
					Has Compton Verney uncovered the identity of the mysterious Master of the Countess of Warwick?