Compared to other pioneers of photography, such as Louis Daguerre and William Henry Fox Talbot, Hippolyte Bayard has faded into obscurity. This is a particular injustice given the fact that Bayard was just as innovative, developing the direct positive process – which allows an image to be captured without a negative – in 1840, a year after the first daguerreotype was made (it would be another decade before the latter came into widespread use). Through a rare collection of his photographs, including the first staged photographic self-portraits, delicate cyanotypes and salt-print scenes, the Getty Center is celebrating the civil servant-turned-inventor who persevered despite minimal public recognition (9 April–7 July). Find out more from the Getty Center’s website.
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Portrait of a Woman (c. 1861), Bayard & Bertall. J. Paul Getty Museum, Los Angeles
Three Feathers (1842–43), Hippolyte Bayard. J. Paul Getty Museum, Los Angeles
Self-Portrait in the Garden (1847), Hippolyte Bayard. J. Paul Getty Museum, Los Angeles
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