While some museums are closed due to the Covid-19 pandemic, Apollo’s usual weekly pick of exhibitions will include shows at institutions that are currently open as well as digital projects providing virtual access to art and culture.
The Australian painter Clarice Beckett (1887–1935) worked mainly at dawn and dusk, capturing misty Melbourne streets or the hushed coastline near her family home south of the city at Beaumaris. Alongside other painters of the Australian tonalist movement, Beckett achieved a degree of fame in her lifetime, but was largely forgotten after her death; this survey of 130 of her paintings, at the Art Gallery of South Australia in Adelaide (27 February–16 May), is the largest to date. Find out more from the AGSA’s website.
Preview below | View Apollo’s Art Diary here
The Boatshed (1929), Clarice Beckett. Art Gallery of South Australia, Adelaide
Summer Fields (1926), Clarice Beckett. Art Gallery of South Australia, Adelaide
October Morning (c. 1927), Clarice Beckett. Art Gallery of South Australia, Adelaide.
Pavlova, the Dying Swan (1929), Clarice Beckett. Art Gallery of South Australia, Adelaide
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://new-dev.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
The many faces of Mary Magdalene