Reviews
Honesty or artifice? Self-portraits at Turner Contemporary
Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre
Does Christian Marclay hit the right note at White Cube?
‘Surround Sounds’ is excellent, but not all of Marclay’s latest work lives up to the hype
Muse Reviews: 1 February
Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century’s torn and tattered art; and the story of Lancashire’s philanthropic industrialists
Community conscious? ‘Cotton to Gold’ explores industry and philanthropy
Lancashire collections in London
Portrait of an apartment block: ‘Ponte City’ at the Scottish National Portrait Gallery
The wider significance of ‘Ponte City’
Jenny Saville rethinks the ‘Rubenesque’ at the Royal Academy
‘La Peregrina’ is like a dip in icy water after Rubens’ opulent works
Discovery of desire: Sade at the Musée d’Orsay
Libertine, criminal, aristocrat, revolutionary, and prolific author – the Marquis de Sade continues to inspire some great art and exhibitions
Muse Reviews: 25 January
The Hudson River School at LACMA; self-portraits at Turner Contemporary; Conscience & Conflict at Pallant House; Poliakoff at Timothy Taylor
Review: ‘Conscience and Conflict’ at Pallant House Gallery
The Spanish Civil War had a huge impact on the life and work of many British artists
Review: Poliakoff’s late paintings at Timothy Taylor Gallery
Timothy Taylor Gallery presents the first solo UK presentation of the artist’s works in over 50 years
East meets West: The Hudson River School at LACMA
The New-York Historical Society has sent a spectacular group of landscape paintings to LACMA this winter
Muse Reviews: 18 January
‘Unseen’ at the Courtauld Gallery; Blake at the Ashmolean; Moroni at the Royal Academy; and sculptors’ drawings in Boston
Illuminating and frustrating: William Blake at the Ashmolean Museum
There can be little argument with the quality of the works; but there is, to put it mildly, a lot to take in
Fresh faces: Moroni at the Royal Academy
The Royal Academy’s exhibition presents Moroni’s portraits in their wider context
Unknown Dimensions: ‘Sculptors’ Drawings from Renaissance Italy’
An exhibition of drawings by Renaissance sculptors provides valuable insights into both mediums
Muse Reviews: 11 January
Toulouse-Lautrec at MoMA; Shostakovich’s ballet at GRAD; Walid Raad in Hamburg; and photographs at the Science Museum
Dual Identity: ‘Postface’ by Walid Raad at Sfeir-Semler Gallery
Two of Raad’s career-defining projects reveal the balance of rigorous research and subtle wit that informs his work
Bringing back ‘The Bolt’: designs for Shostakovich’s ballet on show at GRAD
Shostakovich’s 1931 ballet was pulled from Russian theatres after just one performance; now, a show in London tried to bring it back
Every bit as good as Matisse: ‘The Paris of Toulouse-Lautrec’ at New York’s MoMA
There’s a second talented Parisian on show at the MoMA this winter
What not to miss over the Christmas period
Some fascinating exhibitions in the UK, Europe and USA are closing in early January. Last chance…
Review: ‘Drawn by Light: The Royal Photographic Society Collection’
The Science Museum’s Media Space hosts another excellent display
Powerful gifts: is there a darker side to ‘Gold’?
The Queen’s Gallery’s latest exhibition brings together some exquisite items, but what of their cultural and political context?
Cézanne goes digital: catalogue raisonné launches online
As data increasingly migrates to the cloud, so art scholarship goes digital
Reflecting the network: James Bridle’s recent residency and the rise of drones
Surveilling surveillance…