Reviews

Milton Avery Blue Sea, Red Sky

Is Milton Avery really a forgotten American great?

We’ve struggled to classify the painter as one of history’s greats for very good reason

30 Aug 2022
Angus McBean as Nepture (1939), Angus McBean. National Portrait Gallery, London.

Why are the British so fond of fancy dress?

Dressing up – at balls, fetes and simply for fun – has long provided Britons of all classes with a creative outlet

30 Aug 2022
Layli and Qays at school from the Khamsa of Nezami Ganjavi (f. 196b from Or. 6180)

Fine romances – the art of illustration in 15th-century Herat

As two of the British Library’s most beautiful manuscripts show, the art of illustration hit new and extraordinary heights in 15th-century Herat

30 Aug 2022
View of Anthony Caro’s ‘River Song’ (2011–12) in NorthPark Center in Dallas, Texas, founded in 1965 by Raymond and Patsy Nasher.

The call of the shopping mall

In ‘Meet Me by the Fountain’, Alexandra Lange uncovers the surprisingly utopian origins of the modern mall and defends it from its critics

30 Aug 2022
Gregório Lopes The Virgin and Child with Angels

How Renaissance artists captured Portugal’s golden age

Portugal’s period of ascendancy can be charted through the paintings of the times

30 Aug 2022
Un rayon soleil(1873), Celestin Nanteuil. Musée de Beaux-Arts de Valenciennes.

The artists who have managed to see the forest for the trees

People have always been fascinated by forests but, as a show in Lille suggests, seeing them as ideal, untouched places misunderstands their true nature

25 Aug 2022
caricature of the Psychical Society’s annual dance by Heath Robinson

Harmless fun – the crafty cartoons of Heath Robinson

More than a century later, the English cartoonist’s ingenious drawings can still tickle the imaginations of modern audiences

19 Aug 2022

The aristocrats who conquered 18th-century society in style

In ‘Enlightened Eclecticism’, Adriano Aymonino shows how the 1st Duke and Duchess of Northumberland made over their stately homes to advance their social ambitions

18 Aug 2022
Secretary at West German Radio, Cologne (detail; 1931), August Sander.

How August Sander faced up to modern times

By turning social types into individuals, the photographer influenced many of his contemporaries and shaped how we see the 20th-century

10 Aug 2022
Carl Frederik Sørensen

Shifting sensibilities – how plein-air painting became all the rage

Once overlooked by both artists and collectors, the urgency of landscape studies holds an obvious appeal for modern audiences

9 Aug 2022
Installation view of ‘darning and other times’ (2022) and ‘In the House of my Love’ (2022) at the Brent Biennial.

At the Brent Biennial, home really is where the heart is

The second edition of the event concerns itself with ideas of belonging – and revels in the diversity of this part of north-west London

8 Aug 2022
The Arch Henry Moore

Henry Moore’s hoarding habits

The British sculptor’s monumental, minimal forms drew influence from his wide-ranging collection of ethnographic artefacts

5 Aug 2022
Rock slump from the cliffs of Sarikaya, near Yesilbaskoy. In antiquity, Sarikya was one of the main limestone quarries providing ancient Sagalossos with stone building materials.

The photographers who are obsessed with the passing of time in Turkey

Bruno Vandermeulen and Danny Veys use 19th-century processes to bring a very modern sensibility to archaeological sites in Anatolia

3 Aug 2022
Romain Duris in ‘Eiffel’.

Tall tale: Gustave Eiffel and his tower get the big-screen treatment

Romain Duris cuts a dash in a lavish French film about the engineer, but it’s the tower that’s the true star

29 Jul 2022
The Anatomy Lesson of Dr Willem Röell (1728), Cornelis Troost. Amsterdam Museum

The art of bodysnatching in Edinburgh

There’s no disguising the gruesomeness of the trade that underpinned the scientific advances of the 18th century

29 Jul 2022
Sic Transit Gloria Mundi (after Piranesi) (2016), Emily Allchurch.

The contemporary artists who are paying their respects to Piranesi

Piranesi may have fallen out with his Irish patron but, in modern-day Dublin, artists inspired by his example are looking to mend fences

26 Jul 2022
View of the National Library of Brasil in Brasília, designed by Oscar Niemeyer and photographed by Iwan Baan for his publication ‘Brasília – Chandigarh: Living with Modernity’ (Lars Müller, 2010).

What photographs can and can’t tell us about buildings

Since the invention of the medium, photography has always had an ambiguous relationship with architecture

20 Jul 2022
Pompadour at Her Toilette (detail; 1750 with later additions), François Boucher. Harvard Art Museums/Fogg Museum

Think pink with Madame Pompadour!

An extremely close look at François Boucher’s portrait of the marquise in the Fogg Museum at Harvard homes in on the painter’s use of his signature colour

20 Jul 2022
Amie Siegel Bloodlines video installation view

A static portrait of a static world – ‘Bloodlines’ by Amie Siegel, reviewed

The artist’s latest film shows how the past permeates the present in a series of sumptuous scenes – but is it saying anything new?

13 Jul 2022
Jerusalem, plate 100 (1804–20), William Blake.

Take a trip to the new new Jerusalem

Stephen Ellcock and Mat Osman try to bring visions of Albion up to date in their book ‘England on Fire’

10 Jul 2022
Nan on Brian’s lap, Brian’s birthday (1981), from ‘The Ballad of Sexual Dependency’. Maison Européenne, Paris.

The photographers who have got up close and very personal

Many artists have recorded their most intimate moments, but why should anyone else be interested in the results?

10 Jul 2022

Ground force – the artists who set out to surpass nature

An ambitious exhibition at the Beaux-Arts de Paris considers the mutual rivalry between art and science over the centuries

30 Jun 2022
16th/17th century Qu'ran

Shining matters – ‘Gold’ at the British Library, reviewed

A glittering array of objects and manuscripts from around the world shows off the astonishing diversity of the permanent collection

27 Jun 2022
Drawing of the stern of the Royal Louis (c. 1680), studio of Charles Le Brun. École nationale supérieure des Beaux-Arts, Paris.

Chains of command – ‘The Sun King at Sea’, reviewed

A groundbreaking study looks at the slave labour on which France’s maritime ambitions depended

27 Jun 2022