Features

Head of a Young Man (detail; c. 1539–40), Girolamo Mazzola, called Parmigianino
Harold M. Williams. Image courtesy of the J. Paul Getty Trust
Christian Delécluse's installation in the Galerie rouge at Maison de la Pierre
Mrs Pinckney and the Emancipated Birds of South Carolina (detail; 2017), Yinka Shonibare. Yale Center for British Art. Photo: Stephen White
Anish Kapoor’s Descension in Brooklyn Bridge Park, New York. Photo: James Ewing, Public Art Fund, NY © Anish Kapoor, 2017
Octopus fontlet, 300–600 AD, Moche, Peru, La Mina.
The Dawn of Labour (c. 1891), Charles Maurin. Musée d'art moderne et contemporain, Saint-Étienne Metropole, France. Photo: Yves Bresson; Musée d’art moderne et contemporain, Saint-Étienne Métropole, France
Necklace (detail; c. 1899–1900), René Lalique. Wartski at Masterpiece London
Stracci Italiani (2007), Michelangelo Pistoletto
The Video Gallery at 21c Nashville. Photo: Mike Schwartz. Courtesy 21c Museum Hotels
View of the entrance and façade of the National Gallery of Ireland, 2017, Photo: © National Gallery of Ireland
Self Portrait with Ata Kandó, Paris (1953), Ed van der Elsken
Marianne Fiedler (detail; 1889), Käthe Kollwitz. Photo: Kienzle Oberhammer
’Ram caught in thicket’, from the Royal Cemetery of Ur, (c. 2500–2400 BC), Sumerian, University of Pennsylvania Museum of Archaeology and Anthropology, Philadelphia.
Queen Elizabeth I (1533–1603) (1576–78), attributed to Nicholas Hilliard.
Perspective from the south of Fallingwater (Kaufmann House), Mill Run, Pennsylvania (1934–37), Frank Lloyd Wright. The Frank Lloyd Wright Foundation Archives, New York. © 2017 Frank Lloyd Wright Foundation/Artists Rights Society (ARS), New York
Rock art at the Unesco World Heritage Site of Tassili n'Ajjer in Algeria. Photo: Wikimedia Commons
The UNESCO-listed ancient city of Hatra, south of Mosul, on 27 April, 2017, shortly after Iraqi forces retook the site. AHMAD AL-RUBAYE/AFP/Getty Images
Dining room of Emery Walker's House in 2017. Courtesy The Emery Walker Trust
A.R. Penck © The Flying Studios International, Heinz-Günter Mebusch
Femme accroupie (c. 1884–85), Camille Claudel. Musée Camille Claudel, Nogent-sur-Seine. Photo: Marco Illuminati; © Musée Camille Claudel