Features

Sandra Drew, Maryrose Sinn and Caroline Douglas outside Drew Gallery, 1986
Moving Off the Land (2019), Joan Jonas. Performance with Ikue Mori and Francesco Migliacco, Ocean Space, Chiesa di San Lorenzo, Venice, 2019.
Modèle assise dans un fauteuil, se coiffant (detail; c. 1903), Édouard Vuillard.
Richard Sackville (1589–1624), 3rd Earl of Dorset (detail; 1613), William Larkin. English Heritage, Kenwood.
Rosso Plastica M3 (1961), Alberto Burri. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello
Still from the digital video installation One Day in the Life of Noah Piugattuk (2019), by Isuma, the central work in the Canadian Pavilion at the 2019 Venice Biennale.
Left: Painted bowl with geometric design and possible flower images, Classic Mimbres period (1000–1130), New Mexico. Right: Painted bowl with composite animal figure, Classic Mimbres period (1000–1130).
Installation view of Synchronicity (2018) at Mori Art Museum, Tokyo, Apichatpong Weerasethakul and Tsuyoshi Hisakado.
Spring Evening, Akerhus Fortress (1913), Harald Sohlberg.
Jayne Wrightsman, photographed by Cecil Beaton for Vogue in 1963.
‘Papillon’ ring designed by G (Glenn Spiro).
100 Hand-drawn maps of my country, India (2014), Shilpa Gupta. Galleria Continua.
Detail of photograph of Lee Krasner in Springs, New York, 1972, by Irving Penn.
Portraits by Velázquez flanking Las Meninas (1656) in Room 12 of the museum, rehung in 2010
Seamus Heaney (1939–2013) at home in Dublin
Okwui Enwezor in Venice in 2015.
The Vampire of Notre-Dame, plate nine from Le Long de la Seine et des Boulevards (1890/1910), Louis Auguste Lepère, published by A. Desmoulins.
Archaeological excavations from an underwater ceremonial location near the Island of the Sun in Lake Titicaca, Bolivia.
The Moon (A Lua) (1928; detail), Tarsila do Amaral.
View of The Shed, from Hudson Yards.