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The collective winners of the Turner Prize 2019.
Charles Jencks outside the Maggie’s Centre at Charing Cross Hospital, designed by Rogers Stirk + Harbour.
Illustration: David Biskup
The Finding of Moses (early 1630s), Orazio Gentileschi
Huang Yong Ping at Monumenta, Grand Palais, Paris, 2016.
Neil MacGregor, then director of the British Museum, at ‘Art and Empire: Treasures from Assyria in the British’, an exhibition at the Shanghai Museum in 2006.
The remains of Shuri Castle in Okinawa, Japan, after the fire on 31 October 2019.
Illustration by Simon Landrein
Installation view of ‘Damien Hirst: Mandalas’ at White Cube, Mason’s Yard, London, 2019.
Interior of the Whitechapel Bell Foundry, London, photographed in 2014.
A collapsed block of ice-rich permafrost at Drew Point, north Alaska.
Nerve Visual Gallery in Derry
Illustration by Graham Roumieu/Dutch Uncle
Air raid damage to the Naval Gallery at the Imperial War Museum, London, 31 January 1941. Photo: © IWM
Uffizi director Eike Schmidt in front of Botticelli’s Birth of Venus, at the reopening of the gallery’s room dedicated to the artist in 2016.
Detail from Victor Arnautoff’s The Life of Washington mural at George Washington High School in San Francisco.
Interior view of the crater of Mount Vesuvius, as it was before the eruption of 1767; detail of a plate in William Hamilton, Campi Phlegraei (1776).
Orpheus Enchanting the Animals (16th century), attributed to Titian’s workshop.
The EU’s new regulation on the import of cultural goods is about to make the process of buying and selling art and archaeological finds between countries slower and more complicated
Leon Kossoff. Photo: © Toby Glanville; courtesy Annely Juda
Illustration by Graham Roumieu/Dutch Uncle
The central sculpture hall of the Glasgow (now Kelvingrove) Art Gallery and Museum, newly opened for the Glasgow International Exhibition of 1901.
Illustration by Graham Roumieu/Dutch Uncle