The relationship between painting and photography has been one of complex mutual influence since the birth of the younger medium in the 19th century. This exhibition at Tate Modern in London (13 June–28 January 2024) includes a number of works in which the boundaries between the two have been blurred, from Andy Warhol’s silkscreen prints to the photorealist works of Gerhard Richter. But there are also many more surprising inclusions in the show, revealing how modern and contemporary painters have continued to pay close attention to developments in photography, and vice versa. Alice Neel’s Puerto Rican Boys on 108th Street (1955) is indebted to early street photography, while Andreas Gursky’s large-scale panoramic photographs attest to the German artist’s painterly sensibility. Find out more on the Tate’s website.
Preview below | View Apollo’s Art Diary
Unlimited access from just $16 every 3 months
Subscribe to get unlimited and exclusive access to the top art stories, interviews and exhibition reviews.
The many faces of Mary Magdalene