Zakia Uddin lives in east London. Her work has appeared in ‘The White Review’ and ‘The Wire’
Chauncey Hare was compared to Walker Evans and Diane Arbus, but he came to find the art world as repressive as the corporate world he loathed
The photographer recorded life in New York for 70 years without receiving the same acclaim as her male contemporaries, but that seems to be changing
Radical collectives in the 1970s were keen to make documentary photography more democratic
The photographer’s survey of the British at home and abroad takes on a suitably surreal air at the National Portrait Gallery
