Thomas Marks is an associate fellow of the Warburg Institute, London.

Uffizi director Eike Schmidt in front of Botticelli’s Birth of Venus, at the reopening of the gallery’s room dedicated to the artist in 2016.
Enrico David (b. 1966), photographed in his studio in Hackney, London, in January 2019.
Photo: © The Fitzwilliam Museum
Portraits by Velázquez flanking Las Meninas (1656) in Room 12 of the museum, rehung in 2010
The Venice Installation: The Last Room , showing texts from several series (detail; 1990), Jenny Holzer.
Self Portrait as the Apostle Paul (detail; 1661), Rembrandt van Rijn. Rijksmuseum, Amsterdam
Emmanuel Macron in Burkina Faso
Love is in the Bin (2018), Banksy.
View of the Queen’s Diamond Jubilee Galleries, located in the triforium at Westminster Abbey, London.
Installation view, ‘Power and Beauty in China's Last Dynasty: Concept and Design by Robert Wilson’ at the Minneapolis Institute of Art, 2018, Courtesy the Minneapolis Institute of Art
Hylas and the Nymphs (detail; 1896), J.W. Waterhouse. Manchester Art Gallery
Apollo and Marsyas (1637), Jusepe de Ribera
Rear Nude with Raised Arms (1930s), Lotte Laserstein.
Three soldiers (from the Flagellation of Christ; 1360), Master of Agrafen, or a follower.
Der beste Arzt (The Best Doctor; 1901), Alfred Kubin
The main bedroom at the villa of Francesco Federico Cerruti (1922–2015)
Paintings by De Chirico hang in the mirrored dining room of Francesco Federico Cerruti's villa. Photo: Gabriele Gaidano
Martin Roth, Apollo magazine, 40 Under 40 Europe