Sophie Barling is a freelance writer.

View of The Last Supper (1464–68) by Dieric Bouts (c. 1415–75) in St Peter's Church, Leuven. Photo: Ⓒ Rudi Van Beek; courtesy M Leuven
Adèle Haenel and Noémie Merlant in Céline Sciamma’s Portrait of a Lady on Fire.
La Chemise (detail; 1905), Kees van Dongen. Galerie Jean-François Cazeau (€1.8m)
Recreation of a baroque feasting table in c. 1650, conceived and made by Ivan Day with taxidermy by David Astley and seafood and fruit models by Tony Barton.
Boy Blowing on Firebrand (detail; c. 1660), Georges de la Tour.
Ansel Elgort in The Goldfinch (2019)
The Derelict (c. 1920), James Pryde.
Napoleon at Fontainebleau, 31 March 1814 (1840), Paul Delaroche.
Timothy Spall as L.S. Lowry in Mrs Lowry and Son (2019)
The Gruuthusemuseum in Bruges (pre-2014).
100 Hand-drawn maps of my country, India (2014), Shilpa Gupta. Galleria Continua.
Willem Dafoe as Vincent Van Gogh in ‘At Eternity’s Gate' (2018)
Hand puppets (from a set of five) (c. 1923), Eberhardt Schrammen. Klassik Stiftung Weimar
Fruit Harvest (September) (1670), Herman Saftleven. Onno van Seggelen (€55,000)
The Musée de la Romanité, completed in 2018, sits on the Boulevard des Arènes, across from the 1st-century amphitheatre.
Sports d’Hiver (1933), Erté. Stephen Ongpin Fine Art (£18,000)