The surreal films of Jan Švankmajer
When it comes to conjuring the uncanny atmosphere and impossible logic of dreams, the Czech film-maker has few equals
How Stanley Kubrick did it his way
A new life of the auteur lays bare the obsessiveness behind his films and what it cost everyone around him
At the Kennel Club: the world’s largest collection of doggy art
The Mayfair institution contains scores of paintings of dogs who had jobs and some rather more pampered pets
The vampire who created the modern world
Ever since F.W. Murnau adapted Bram Stoker’s Dracula for his seminal film Nosferatu, the vampire has haunted the modern imagination
Shifting sensibilities – how plein-air painting became all the rage
Once overlooked by both artists and collectors, the urgency of landscape studies holds an obvious appeal for modern audiences
The fabulous films of Lotte Reiniger
The German director brought fairy tales to gorgeous, animated life with her silhouette films – the earliest of which is as remarkable now as it was in 1926
Art is all about human touch – and right now that’s more disturbing than it sounds
With human contact all but banned, an exhibition about touch was always going to provoke mixed feelings
Ship shapes – the nautical art of Alfred Wallis
Kettle’s Yard shows off its unrivalled collection of work by the mariner-turned-painter, for whom every boat had ‘a beautiful soul shaped like a fish’
‘The Man Who Laughs’ is a cautionary tale about grinning and bearing it
The inspiration behind Batman’s Joker and many a monster movie, Paul Leni’s ‘The Man Who Laughs’ is a masterpiece of Expressionist cinema
Stolen glances – The Painter and the Thief, reviewed
A documentary about the unlikely friendship between an artist and the man who stole her work raises tantalising questions about image-making and ownership
When Kirk Douglas played Van Gogh
A celebration of the late actor’s star turn as the tormented artist in Vincente Minnelli’s biopic of 1956
Has the Fitzwilliam still got the hang of things?
Though some regard it as provocative, it’s fairer to say that the museum’s sprucing-up of its paintings galleries is thought-provoking