Raisa Rexer is an assistant professor of French at Vanderbilt University. Her current book project examines the history of the photographic nude in 19th-century France and its influence on literary production of the period

Petite danseuse de quatorze ans (1881; cast in 1921–31), Edgar Degas. Installation view of ‘In Colour: Polychrome Sculpture in France 1850–1910’ at the Musée d’Orsay, Paris.
Nude No. 72, New York, 1949–50 Irving Penn. © The Irving Penn Foundation
Jerusalem, Church of the Holy Sepulchre, Apse (1854), Auguste Salzmann.