Enigmas: Caroline Walker’s lithographs and paintings
The characters in Walker’s works are caught in moments of enigmatic significance, at once inconsequential and charged with possible implication
Deconstructing ‘Jerusalem’: Paul Pfeiffer revisits the 1966 World Cup final
With the World Cup final fast approaching, it’s a good time to reconsider this particular collective myth
Prints and the ‘painterly’ object: Harland Miller’s limited editions
Why would one of the most painterly of contemporary painters decide to start issuing screenprints?
‘I never got involved in drugs, or any of the wild goings-on’. Alex Katz on the US art scene
Alex Katz talks to Matthew Sperling about his memories of the New York School and his love of poetry
‘I was pretty much seen as a bad Pop artist.’ Alex Katz speaks to Apollo
Extracts from our April issue, in which the celebrated painter discusses his life and work
Enitharmon Editions
‘Makin’ lit’ry his-tor-y…’ Founded in 1967, Enitharmon Press is flourishing, and has adapted its publishing profile in recent years
Affordable Art
A new 50p piece, designed by Tom Phillips to celebrate the centenary of Benjamin Britten’s birth, attempts to ‘set the wild echoes flying’
Zervos Redux
Elegant and expensive, the republication of the Zervos Picasso Catalogue by Cahiers d’Art is a strange throwback to a very different era
Open Book
The recent two-day symposium, ‘Art, Poetry and the Making of the Book’, brought together three veterans of British book-art with some new tricks
Community of Risk
‘Uproar!’ From the creation of Eve to the kitchen sink, Ben Uri gallery celebrates the first 50 years of the London Group
All American
MoMA dusts off some treasures in an attempt to prove that there is no ‘problem’ with its American collection
Pop-Up
British Pop art is experiencing something of a resurgence in the UK. What makes it so appealing?
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