Mark Bradford keeps on testing the limits of painting
Born 100 years ago this month, the critic exerted an outsize influence on artists and tastemakers alike – and he still has much to teach us
Lee Ufan and the art of slowness
The South Korean artist has perfected an aesthetic of harmony and balance that rewards patient looking
Downhill all the way with Isa Genzken
In the Neue Nationalgalerie’s celebration of the sculptor’s 75th birthday, modernity is never what it used to be
The Neue Nationalgalerie’s restoration is so subtle you might not notice – and that’s a good thing
David Chipperfield’s cool, if costly, renovation plays to the gallery’s minimalist strengths
Surface tension – an interview with Mamma Andersson
They may look like tranquil scenes, but stick with Andersson’s paintings and their sense of encroaching menace is bound to creep up on you
Behind the mask? An interview with Gillian Wearing
Gillian Wearing is in an unusually candid mode in her lockdown paintings, writes Martin Herbert – if you take them at face value, that is
Feast of burden – the uneasy paintings of Norbert Schwontkowski
The artist’s murkily atmospheric works convey a deep sense of anxiety with a wry touch
Agnes Martin and the power of tranquility
Agnes Martin’s serene paintings give pause for thought
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The many faces of Mary Magdalene