A strange tale of cruelty and creativity in the Moroccan desert
Ben Rivers’ attempt to reveal the artifice of filmmaking is somehow dull and disconcerting at the same time
Feminine Critique: Niki de Saint Phalle at the Guggenheim Bilbao
From shooting pictures to colourful ‘Nanas’, Saint Phalle’s work tackles feminist issues head on
Women artists get a raw deal in historical collections. Will that ever change?
The imbalance seems historically ingrained. But surely museums could do more to explain it
Picking the picture: Magnum Contact Sheets at C/O Berlin
It’s riveting to see the choices and accidents that produced some of history’s most iconic photographs
Inquiry: art law and attribution
Do art historians and other art authenticators need greater legal protection?
Review: Adriana Varejão, ‘Carnivorous’ at Victoria Miro
Taken on their own, Varejão’s drawings lack the sinister, seductive appeal of her other work
Review: Liam Gillick and Viv Albertine star in Joanna Hogg’s ‘Exhibition’
Hogg delivers another candid portrayal of contemporary upper-middle class life
‘Extraterrestrial’ views: Andreas Gursky photography displays in London
Gursky’s work is on display at Sprüth Magers and White Cube Bermondsey
Richard Mosse’s ‘The Enclave’ on display in London
Stained pink, Mosse’s film from the Democratic Republic of Congo takes on a nightmarishly surreal aspect
Disarmingly joyful: Phyllida Barlow’s ‘dock’ at Tate Britain
Barlow’s wonderfully wobbly looking monoliths are powerful but unpretentious
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New scheme to get work by female artists into museums
Valeria Napoleone and the Contemporary Art Society are taking a proactive approach to a protracted issue