Isabel Stevens works at Sight & Sound and writes about art, photography, and film for Apollo, Aperture, and the Guardian among other publications
Why did Dorothy Hepworth allow her lover Patricia Preece to take the credit for her paintings? An intriguing exhibition at Charleston provides some clues
The reinvention of the Museum of Childhood as Young V&A has been a great success. Should more institutions follow its example and become younger at heart?
A thrilling opportunity to see Bill Viola's work alongside the Renaissance art that inspired it
The German collector, who recently launched a new space in Berlin, talks to Apollo about the challenges and rewards of acquiring a young art form
‘What’s happened to the witch, the German puppet witch?’ Susan Hiller enquires of the waitress...
