Esther Chadwick is a lecturer at the Courtauld Institute of Art.
What did William Blake really see when he looked at the Sussex landscape?
For 300 years, the Plantin-Moretus family in Antwerp ran one of Europe's most important printing presses
Was there a distinctly ‘female’ printmaking in this period? Not really – but that's what's so interesting
Esther Chadwick watches Richard Serra’s monumental Five Plates, Two Poles move into a new home at the National Gallery of Art
