Emilie Bickerton is the author of 'A Short History of Cahiers du Cinema' (Verso) and the screenwriter of the film 'Amnesia', which was released in 2015
A prize-winning documentary about France’s return of 26 looted objects from Benin is a haunting tale
An exhibition at the Cinémathèque française doesn’t shy away from the film-maker’s political side
In the year’s most unusual tribute to the modernist master, the artist is taking over the museum dedicated to him and filling it with her personal belongings
The Eye Filmmuseum highlights the madness of the director’s methods and how beautiful the finished films are – and leaves us to make up our own minds about it all
In her score-settling memoir, Roselyn Bachelot calls out ungrateful artists and time-serving bureaucrats
The Cinémathèque française’s unsettling show about film-making and espionage reveals how much the two activities have in common
The artist’s wry installations include everything from cuddly toys to supersized versions of everyday objects. But her art is much tougher than it looks
By turning social types into individuals, the photographer influenced many of his contemporaries and shaped how we see the 20th-century
The film-maker deserves pride of place in any history of early cinema – as the Cinèmathèque française’s new display confirms
The director’s sale of unseen footage from ‘In the Mood for Love’ reminds us that the Hong Kong of his films is fast disappearing
