Elise Morton is a writer and editor specialising in Russia and Eastern Europe.

Reviews
Draftsmen’s Congress (2020), Paweł Althamer. Installation view at the 2nd Riga International Biennial of Contemporary Art, RIBOCA2, 2020.

How the Riga Biennial adapted to a world changed by Covid-19

With a shortened run and reimagined artworks – plus, of course, social distancing – the exhibition has embraced the need to adapt

28 Aug 2020

Current Issue

How the Riga Biennial adapted to a world changed by Covid-19

View this issue

Most popular

  • Recent

Podcast

Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London

The Masterpiece podcast: episode three

This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites

Art news daily

Glenn Lowry to step down as MoMA director after 30 years

Sotheby’s earnings plummet by 88 per cent in first half of year

Creative Scotland closes its key fund for artists amid government budget freeze

Latest Comment

The many faces of Mary Magdalene

Is investing in the past the way of the future?

In praise of the cat ladies of contemporary art