Edward Behrens is editor of Apollo.
Mediocre results for the November auctions in New York suggest that the auction-houses have put too many eggs in the same kind of basket
The artist’s playful and delicate works, often painted on book jackets, conceal a serious interest in animals, absurdity and art history
There’s more to art than subject matter – and it’s almost impossible to find anything shameful about a style
Disappointing results for a series of sales in London suggest the market may not be as healthy as Frieze made it seem
Shopping bag installations by the Swiss artist Sylvie Fleury and an illuminated display at the Soane Museum are among the shows not to miss this year
Objects belonging to the French branch of the family are being sold by Christie’s this month – and they’re likely to wow US collectors
Ahead of a retrospective at Tate Britain, the artist tells Apollo that swapping the city for rural Suffolk has led her to more primordial themes
Smashing expectations, the hype-powered auction introduced a new and particularly well-oiled model of the big houses’ marketing machine
When institutions try to offer something to everyone do they risk spreading themselves too thin?
An old-fashioned way of bringing in cakes and custards is beginning to feel rather modern again
A few excellent results can’t paper over the deeper cracks that have appeared at Christie’s and Sotheby’s this summer
On the institution’s 125th anniversary, its director Mónica Ramírez-Montagut wants to serve a wider audience and make stronger connections with the local community
A record-breaking Klimt at Sotheby’s has put the marketing machine in overdrive, but quieter joys can be found elsewhere in the capital
The recently appointed director of fairs and exhibition platforms tells Apollo why he is taking a light-touch approach to running the world’s biggest art fair
Edward Behrens on the finalists for this year’s Loewe Foundation Craft Prize
The Japanese ceramicist was awarded the top prize for her ingenious work at a ceremony in New York
Amid all the pomp and the circumstance, the crowning of Charles III has much to tell us about the state of the nation
A trip through the Condé Nast archives now owned by François Pinault suggests that wit is no longer in vogue
After meeting at the Slade, Erchen Chang, Shing Tat Chung and Wai Ting have taken the creation of the soft, steamy buns to new heights
Eva Jospin turned to cardboard out of necessity – but, as she tells Apollo, this humble material has allowed her to realise entire worlds
With a focus on artists from the Global South, there were unexpected discoveries to be made at this year’s edition
The art journalist’s prized collection of handbags and eclectic furniture is up for sale at Bellmans later this month
While the painter’s designs for the Decius Mus cycle were used to create several sets of tapestries, the version now in Kilkenny Castle in Ireland is in a class of its own
A disappointingly static display at the V&A will make you long for the stage
December 2024
Emma Crichton-Miller
Apollo
Christina Makris
Christina Riggs
Rakewell
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://new-dev.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
True art is nothing to be embarrassed about
There’s more to art than subject matter – and it’s almost impossible to find anything shameful about a style