Edward Behrens is editor of Apollo.
Edward Behrens explores the ingredients for achieving in the art world
The jeweller generally reveals precious little about its process, but Apollo gains access to the site in Paris where the magic happens
Recent results for the London auctions may be a sign that things aren’t all doom and gloom
A regular haunt of artists, dealers and curators, Sally Clarke’s restaurant in Kensington has been a beacon of unfussy excellence for 40 years
Plus: the subversive art of Kapwani Kiwanga, Georgie Hopton’s delightful prints and a brief history of drawing on blue paper
The Homo Faber art fair featured a bounty of contemporary crafts, but were the finer details in danger of getting lost with so much on display?
As the cutting-edge arts organisation in south London turns 30, Joe Scotland talks to Apollo about class, community and contemporary art
As the collection of Renaissance silver Selim Zilkha formed with his wife Mary comes to auction, his children Michael and Nadia recall their father’s dazzling hobby
A new report by Historic England claims that investing in heritage will boost the economies of struggling English towns – but how reliable are the means of measurement?
Creating the sets for plays at the National Theatre, the Barbican and the Royal Court is no mean feat. The German-born set designer speaks to Apollo about how she works her magic
Piling into an exhibition hall to see as much art as possible in a short space of time is few people’s idea of a good time, but the most resourceful fairs provide some worthwhile surprises
Jeffrey Deitch’s pleasingly homely booth at Art Basel this year reflects the tastes of a new generation of buyers – but is the loss of connoisseurship a price worth paying?
Peter Hujar and Paul Thek offer a lesson in the art of appreciation at Loewe’s menswear show in Paris
With cancelled sales and market uncertainty, Christie’s and Sotheby’s have been taking hammer blows in recent months – but it’s not just a London problem
Museums often have a responsibility to reflect major events, but should be careful not to disregard seemingly smaller stories
It’s becoming increasingly difficult to tell whether the finalists of the annual Craft Prize are artisans aspiring to art, or artists getting crafty
It seems as if arts criticism is becoming a treat for political journalists – but perhaps the job should be treated a little more seriously
From the recent history of Timor-Leste to world-building in Bulgaria, this year’s shows present a rich and varied cross-section of contemporary art from around the world
Despite the painstaking research that underpins the artist’s work, there’s nothing dry about its outcomes – as visitors to the Canadian Pavilion in Venice will discover
There’s a thin but fluid line between fine art and fashion for the artist who is now making accessories for Loewe
The notion that art should serve a personal or social good is more prevalent than ever – but is usefulness really the point of creativity?
A flawless digital copy of the artist’s Basket of Fruit raises the tricky question of how much authenticity should matter to museums
The artist layers a multitude of marks to create palimpsestic paintings and prints, but the results are far from purely abstract
A newly attributed Rembrandt failed to hit the heights at Sotheby’s, but Pietro Lorenzetti pushed up the bidding in Paris
December 2024
Emma Crichton-Miller
Apollo
Christina Makris
Christina Riggs
Rakewell
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
Inside the mysteries of Van Cleef and Arpels
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://new-dev.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Edward Behrens explores the ingredients for achieving in the art world