Digby Warde-Aldam is a freelance writer based in Paris.
Thank god for September. The art year has kicked off like a mule with a grievance
Zzzzzzz. That, in brief, is the most accurate way to sum up London at the moment
London is now stuck in the August doldrums. I’d complain about it more if only I could muster the energy
Thrilling and thoughtful work by an Angolan collective puts shows by Marc Quinn and Joseph Cornell in the shade
The prize has come up for criticism this year, as it always does. But there's still merit in it
Alexander McQueen's exquisite tailoring; the Serpentine's slightly shabby pavilion; Andy Warhol's money-worship; and Kallos gallery's exceptional ancient art
Tate's 'Fighting History' is a failure: if you want proper history, see Ian Hamilton Finlay's Revolutionary work at Victoria Miro
Michael Craig-Martin has brightened up the RA Summer Exhibition a bit, but Agnes Martin is truly unmissable at the Tate
Hockney's psychedelic new creations at Annely Juda; Thomas Struth's exceptional photographs at Marian Goodman; and Andre Kertesz at James Hyman
Supersymmetry dazzles in the Vinyl Factory; Lawrence Lek empties the Royal Academy; and a horrible vision in Hammersmith
