Conservation targets – Hubert and Jan van Eyck, as we’ve never seen them before
New research and restoration offers fresh insights into the work of the Flemish masters
Lorenzo Lotto finds a winning streak
Long undervalued in comparison to his peers, the Renaissance painter now has the critical esteem he deserves in the form of a fine catalogue
Judging by his Old Masters, Norton Simon had a better eye than J. Paul Getty
Nicholas Penny’s survey of 17th- and 18th-century Italian paintings in the Norton Simon Museum reveals the astute figure behind the collections
Florentine painting in full colour
This catalogue of Florentine works in the Alte Pinakothek in Munich sets a new standard
Italian painting takes a bow in northern France
Picardy’s magnificent collections of Italian paintings shine in a series of exhibitions
A dazzling new attraction at the Musée Condé at Chantilly
Visitors can finally enjoy the exceptional drawing collection, and explore previously-unseen rooms, in the elegant new Cabinet d’Arts Graphiques
Why it’s time for someone to catalogue Fra Bartolommeo’s drawings
As an exhibition in Rotterdam shows, Fra Bartolommeo draughtsmanship is ravishingly beautiful
Never mind the buttocks
An exhibition in Florence finally gives Carlo Portelli the attention he deserves
Tullio Lombardo’s great but forgotten sculptures
A new publication by Anne Markham Schulz pieces together the story of the sculptor’s oeuvre
Fitzwilliam Museum attributes two bronzes to Michelangelo
David Ekserdjian discusses the recent announcement
Review: Baccio Bandinelli at the Bargello
Baccio Bandinelli is arguably the least loved major artist of the Renaissance. This is the ideal opportunity to reconsider his achievement
Outstanding Renaissance and Baroque Bronzes at the Frick Collection
A small but exceptional display of bronzes from the Hill Collection
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‘Truly the end of an era’ – a tribute to Jacob Rothschild (1936–2024)
The financier and philanthropist’s greatest achievement may have been his service to the arts, at Waddesdon Manor and as chair of the National Gallery