The curious creatures of Lynn Chadwick
As the collection of Renaissance silver Selim Zilkha formed with his wife Mary comes to auction, his children Michael and Nadia recall their father’s dazzling hobby
The tennis coach who’s having a ball collecting abstract art
James Trotman, who coaches Britain’s current #1 tennis player, talks to Apollo about his love of modern British painting and why art and tennis are a good match
Eric Fischl enters the third dimension
The painter has turned his hand to virtual reality, using cutting-edge technology to pursue ‘a painter’s idea of sculpture’. He talks to Apollo about the attractions of VR
How to paint a revolution in miniature
The British-Iranian artist Laila Tara H’s refined images are thoughtfully framed to express her frustration with a patriarchal society – but never at the expense of playfulness
Getting down and dirty with Albert Serra
At the Eye Filmmuseum, the latest provocation by the Catalan artist and director features French libertines and turns us all into Peeping Toms
Birmingham’s Barber Institute is getting more cutting-edge
Midway through a major refurbishment, the Institute is still managing to thrive at a challenging time for UK museums
The Royal Academy reframes its past
The institution’s unravelling of its involvement with empire is very welcome, but has ‘Entangled Pasts’ bitten off more than one exhibition can chew?
Dan Flavin’s light touch
The artist bristled at attempts to analyse his work, but an exhibition at Kunstmuseum Basel suggests that his fluorescent fittings are still open to interpretation
Reel life – how Zineb Sedira found herself through film
At the Whitechapel Gallery, the French-Algerian unspools personal and political histories through imitation sets and empty stages
Arty films to look out for in 2024
New features by Steve McQueen, Kelly Reichardt and Joshua Oppenheimer will give art lovers plenty to get excited about
Extended reality may still be in its infancy – but it’s certainly growing up fast
The use of virtual, augmented and mixed technology in film-making hasn’t produced a masterpiece yet, but it’s only a matter of time
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The many faces of Mary Magdalene