Zola on trial (1898), Maurice Feuillet.
Dante (detail; c. 1448–49), Andrea del Castagno.
Detail of Two Hills (2020), Annie Morris’s screenprint for Make a Wish UK
Untitled (Finlayson Point) (early 1930s), Emily Carr.
The Supper at Emmaus (c. 1530), Titian.
Landscape near Arnhem (1900–01), Piet Mondrian.
‘Dragon’ dish, Yongzheng period (1723–35), China.
The nayika and the black buck the workshop of the Guler artist Chhajju at Chamba. Francesca Galloway (price on application)
Mrs Mary Robinson in the Character of a Nun (c. 1780), John Singleton Copley
Five Conversations (2019), Lubaina Himid. Hollybush Gardens at Frieze Sculpture 2020.
Water Birds (1829), Katsushika Hokusai.
A contemporary art auction at Strauss & Co in 2019
Greenwood, Mississippi (1973), William Eggleston. Museum of Modern Art, New York. © 2020 Eggleston Artistic Trust
To See and To Know; Future Lovers from A Countervailing Theory (2019), Toyin Ojih Odutola.
Illustration: David Biskup
2330 grammi (detail; 1994), Giuseppe Penone.
Gilded statues and ritual objects arranged by Alice S. Kandell
The Lavergne Family Breakfast (1754), Jean-Etienne Liotard.
Monika Gruetters (left) hands over the painting ‘Quai de Clichy’ by Paul Signac to Agnes Sevestre-Barbe, representative of the heiress, as part of the return of art stolen under the Nazis and hoarded by Cornelius Gurlitt, the son of Nazi-era dealer Hildebrand Gurlitt in Berlin on July 3, 2019.