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Review: ‘Late Turner’ at Tate Britain
It is not painting that is set free here, but the painter, liberated from the often questionable roles into which he has been conscripted in the name of British art

First Look: ‘Haunted Screens: German Cinema in the 1920s’ at LACMA
The challenges and opportunities of curating a gallery exhibition about film

The Week’s Muse: 20 September
Fountains, house museums and computer connoisseurs: a round-up of recent comment from the Muse Room