Paintings by Chris Ofili at ‘All the World’s Futures’. Photo by Alessandra Chemollo. Courtesy la Biennale di Venezia
15 May 2015
Paintings by Chris Ofili at ‘All the World’s Futures’. Photo by Alessandra Chemollo. Courtesy la Biennale di Venezia
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites