The Faez Family, Rehovot (2009), Thomas Struth © Thomas Struth Maggie Gray 8 June 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you The fashion for film: large-scale projections are transforming museums Theatrics at the Met and the V&A Public art, private funds: can Oslo learn from Christian Ringnes’ sculpture park? Changing Norwegian attitudes to privately-funded art A case of mistaken identity at the Whitechapel Gallery Corin Sworn has filled the space with costumes and props inspired by the Italian Commedia dell’Arte Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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