Otto Piene in the late 1960s. Photo: Lothar Wolleh © Oliver Wolleh, Berlin Maggie Gray 21 July 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: Manifesta 10 in St Petersburg With global politics so dominant in the conversation surrounding Manifesta, there was a danger the art might become an irrelevant sideshow. Does it hold its own? Review: Mel Bochner ‘Strong Language’ at the Jewish Museum Bochner’s piled-up word paintings at the Jewish Museum are strangely anxiety-provoking Shifting Boundaries: Applied Arts and the Jerwood Charitable Foundation As a new generation of artists takes the lead, the old distinctions between applied and fine arts can’t hold Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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