© musée national Picasso-Paris / Béatrice Hatala Maggie Gray 4 November 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: Conrad Shawcross ‘The ADA Project’ Music, dancing robots, 19th-century algorithms: Shawcross’s latest project was ambitious, but was it worth it? Lost in Fathoms: Anaïs Tondeur Tondeur’s work is rigorously scientific, but that doesn’t blunt its emotional impact First Look: ‘Odd Volumes: Book Art’ at Yale University Art Gallery The art of the book… Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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