Recommended for you

Hepworth Wakefield puts plaster casts in pride of place
Barbara Hepworth once called plaster ‘a dead material’. She was wrong

Chris Burden’s final work takes flight
Evan Moffitt on the artist’s legacy and his final creation, ‘Ode to Santos Dumont’, at LACMA

Verbal Assault: ‘All The World’s Futures’ Reviewed
A joyless preference for the verbal over the visual at the Venice Biennale