<iframe src="//www.googletagmanager.com/ns.html?id=GTM-PWMWG4" height="0" width="0" style="display:none;visibility:hidden">
Apollo
Nav toggle
Register

‘Port-en-Bessin, les grues et la percée’ (1888), Georges Seurat. Collection National Gallery of Art, Washington DC © Kröller-Müller Museum

21 May 2014

Recommended for you

Homecoming: Sergio Larrain’s photographs on display in Chile

Larrain’s powerful work hasn’t been on display in his home country since the 1960s

Review: ‘The Power of the Sea’ at the Royal West of England Academy

Interest in maritime art ebbs and flows, but it seems that we have hit a new wave

Florida pastor is convicted of trying to sell fake Damien Hirst paintings

But authenticity is hardly Hirst’s own strong point

Leave a comment

Your email address will not be published. Required fields are marked *

cover of January 2025 issue of Apollo

Current Issue

January 2025

View this issue

Most popular

  • Recent

Podcast

Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London

The Masterpiece podcast: episode three

This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites

Art news daily

UK signs cultural deals with Saudi Arabia

UK government won’t prevent Parthenon marbles being loaned to Greece

Slovak National Gallery’s department heads resign – with 177 staff threatening to follow

Latest Comment

‘She had no time for elitism, but was passionate about excellence’ – a tribute to Rosalind Savill

The problem with portraits

Are Old Masters going up in the art world?

© 2024 Apollo Magazine
22 Old Queen Street, London, SW1H 9HP