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‘The Educated Eye? Connoisseurship Now’ at the Paul Mellon Centre
What do we mean by ‘connoisseurship’ these days?
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Prints and the ‘painterly’ object: Harland Miller’s limited editions
Why would one of the most painterly of contemporary painters decide to start issuing screenprints?
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Muse Reviews: 4 May
A round-up of the week’s reviews: including Veronese, Richter and Polke, and the late works of Matisse