From ‘Broken Manual’, © Alec Soth Imelda Barnard 20 November 2015 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Exhibition of the Year ‘Silent Partners’ at the Fitzwilliam Museum, Cambridge was a revelatory show about the role of the mannequin in art history What next for the Serpentine? The retirement of co-director Julia Peyton-Jones comes at a time when the Serpentine and other London institutions are at a turning point Beyond Modigliani – alternative histories of modern Italian art in New York Uncovering some of the period’s forgotten stars Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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