Michelangelo's marble statue of 'David', pictured at the Galleria dell'Accademia in Florence on 24 May 2004.
St Peter’s Seminary in 2017.
Kate Fowle.
Judith and Holofernes, (c. 1607), attributed to Caravaggio, photo: © Cabinet Turquin
Jill Medvedow, director of ICA Boston, and co-author of the resolution adopted by the American Association of Museum Directors.
The National Museum of Brazil in Rio de Janeiro, photographed on 3 September 2018, a day after a fire devastated the building.
Hannah Rothschild with Artemisia Gentileschi’s ‘Self-portrait as Saint Catherine of Alexandria’ , National Gallery
Yana Peel, who has resigned as the CEO of the Serpentine Galleries, speaking at a press conference at the gallery in 2016.
Sotheby's, New York, in June 2004. Photo: Stephen Chernin/Getty Images
Joyce Pensato in 2014.
Frida Kahlo with Olmec figurine (1939), Nickolas Muray.
Amada Cruz.
The Sagrada Família entering its final construction phase in 2015, photo: Getty Images
Rein Wolfs
Royal Museums Greenwich’s National Maritime Museum in London.
‘Sun and Sea’ by Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė, Photo: Neon Realism
Wisteria (c. 1925), Claude Monet.
Salvator Mundi (c. 1500), Leonardo da Vinci. Christie's
Marsha P. Johnson and Sylvia Rivera
The Baltimore Museum of Art, which in May sold five artworks at auction for nearly $8 million to raise funds for new acquisitions. Would capitalising those works have allowed the institution to pursue its acquisition strategy without compromising its existing holdings?
Notre-Dame Cathedral in Paris, early on April 16, 2019.